![]() ![]() The De-Bleed process first debuted in SpectraLayers 8 has been further tweaked to now work across multiple layers. This feature allows users to divide one layer into two from a user-selected amplitude split point, and preview changes made to the two layers independently. Joining the AI-driven Unmix Stems and Unmix Components processes is the much-requested Unmix Level process. SpectraLayers 9 also incorporates several more essential features. ![]() The Tool preset allows for more configuration and a wide range of default options, meaning users can find and create the ideal settings more quickly. Load in a default or custom Process preset as a starting point, make changes and monitor in real time, and save further presets or reference points for the future. More workflow enhancements come courtesy of the new Process and Tool presets. These dialog boxes also stay open, allowing for multiple changes without having to reopen the process dialog each time. The dialog boxes are now non-modal, meaning users can work freely anywhere in the interface, even when a process dialog is open. Now with real-time auditioning instead of the two-step process of its predecessor, the effects of changes made in SpectraLayers 9 can be heard as they are made, boosting speed and efficiency. Fast, Efficient WorkflowĪt the heart of Steinberg’s updates for SpectraLayer 9 is a focus on increasing the speed of the workflow. Sounds are displayed as visual objects and layers, enabling ultra-precise editing that will suit a variety of applications from music and post-production, sound design, audio restoration and much more. SpectraLayers’ processing is driven by AI (Artificial Intelligence) behind the scenes, offering flexible, powerful and intuitive spectral editing capabilities. The industry-leading spectral audio processor receives an updated look that makes it easier to navigate features and functions, real-time auditioning, as well as improvements to workflow and processing tools. It would be nie to have different entries for SL 6 and SL 7 (and any other version one may have) to select from in Cubase.Steinberg have launched SpectraLayers Pro 9 and SpectraLayers Elements 9, both of which are available immediately. Is the ARA specification not allowing to distinguish between different versions/tiers of the same software (say, SL 6 Pro vs SL 7, Pro or SL7 One vs SL 7 Pro) or is that a problem on Cubase’s and/or SL’s end? So, if I understand it correctly, whatever version of SL (or even any other software having ARA compatibility) is installed last on a machine is goint to be connected to the ARA interface (for that specific software)? If you don’t want to change the registry keys, you can simply reinstall SL6 (or SL7 if you prefer SL7 to take control) : whatever version is installed last takes control of the ARA plugin. There’s an equivalent key on macOS: in /Library/Preferences/ modify EnginePath If you still want to be able to switch though (although that’ll require a Cubase restart), there’s a registry key on Windows you can change: in HKEY_LOCAL_MACHINE\SOFTWARE\Steinberg\SpectraLayers modify EnginePath Regarding your other question (different SpectraLayers versions being installed on the same computer), unfortunately there’s no easy switch: ARA plugins are so far designed to replace the previous versions (like Melodyne). ![]() Just to be clear, “One” is a new SpectraLayers 7 edition that comes with Cubase 11. The initial question was about SpectraLayers 7 only, not different versions (5,6,7).
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